Friday, February 22, 2019
Breakfast Club Analysis
Ask anyone who was a teenager during the 80s who washbasin Hughes is, theyll start reciting each word-painting he has been involved in. He has dabbled in writing, say and even producing. He will forever be remembered as an motion-picture show of the 80s. tail end Hughes was a writer for National jeer magazine in 1979. He was inspired by the success of National Lampoons Animal House, written by an associate of National Lampoon Magazine Harold Ramis, Mr. Hughes took a shot at screenwriting. National Lampoons Class Reunion, National Lampoons Vacation and Mr. Mom were his premier(prenominal) screenwriting credits.These films allowed him to direct his first feature film, Sixteen Candles. His films such as supernatural Science, Pretty In Pink and Ferris Buellers Day sour helped him become synonymous with teen photographic films. He focused on oculus class life, which helped his films to be believable and interesting. He portrayed teens in a way that was relatable to his audience . According to Hollywood insiders, if a movie was to be make depicting teenagers and their emotions, John Hughes was the man to create it. Nowhere is this more appargonnt(a) than in The breakfast Club.Hughes portrayed his reputations in five types the brain, the jock, the princess, the misfit and the criminal. Everyone who has seen this movie can see themselves in one of these characters. I fell somewhere between the jock and the brain. At the beginning of the movie, the characters had little interaction, unless it was hurling insults at each former(a). Cliques just dont mix, and they felt uniform in that location wasnt any common ground between them. Then Brian (themisfit), Andrew (the jock), Clare (the princess), Allison (the misfit) and John (the criminal) are forced to spend detention together on a Saturday Morning.Thats when things start to get interesting. During the course of the movie, the characters spend clock time lecture and relating to one another. Each one feels different and alienated. In their own worlds, they lease been neglected, abused, bullied, or even ignored by both their families and their other friends. passim the movie they realize that although they may seem completely different on the outside, on the inside they are all experiencing the same things. Although this movie is twenty plus years old, the themes of commonality is still true today.It speaks directly to four-year-old people. Kids/Students are still trying to find their way and fit in. The characters of The Breakfast Club makes the audience think, learn, and grow. The film shows that people are wasting time hating someone they dont know. It shows that if you take time to get to know someone, you may find they are more like you than you thought. You may find empathy for them, and you may find you can learn from them. You may even find that you like them. A reviewer at Reel. com called the movie almost quaint in its depiction of disaffected high shallow students. Tha t is true parts of the movie is dated. If it was made today, Clare would have a baby. John would have done time for gang activity. Andrew, the jock would be on steroids. Brian and the kid who was beat up by Andrew would have formed the deep Coat Mafia, and the flare gun in the locker would have been an set upon rifle. Allison would not have even made it into the movie because she would have hung herself in her bedroom closet waiting to be discovered. Later teen flicks familiarised to the growing sophistication of teenage sensibility.This movie had a message of tolerance, acceptance, and understanding. The Breakfast Club continues to be a classic because the issues presented in the movie about social class and acceptance remains hot topics for high teach students. Although the movie is funny, it handles teenage issues with a bit of maturity. The set the standard for other teenage movies. It has made such an impact that MTV honored it with a eloquent Bucket of Excellence award. Th e cultural significance of the movie can to a fault be seen in the recent JC Penny commercial.
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